Need a hand with your next project?
Need a hand with
your next project?
DIT.
Keeping production safe, synced, and running smooth.
Media management, LUTs, camera-to-cloud, proxies, dailies, and on-set edits.
Familiar with RED, ARRI, Blackmagic, Sony, Canon, and more.
EDITOR.
EDITOR.
Fast, focused, and ready for feedback.
I cut everything. 15-second spots, branded content, social media, documentaries and televsion. My strength is making the edit feel effortless.
Whether you have a tight script or a pile of footage, I fit right in.
Fast, focused, and ready for feedback.
I cut everything. 15-second spots, branded content, social media, documentaries and televsion. My strength is making the edit feel effortless.
Whether you have a tight script or a pile of footage, I fit right in.
COLORIST.
Let’s bring it to life.
From LUT matching to final pass polish, I grade with an eye for tone, rhythm, and story immersion.
I’ve done grades for national campaigns, branded content, television, and everything in between.
I don’t just fix. I elevate.
CAMERA OPERATOR.
CAMERA OPERATOR.
Framing for the cut,
not just the monitor.
I shoot with an editor’s brain. That means coverage that cuts together, movement that matches the creative, and a rhythm the client can feel.
I’ve worked with cinema and mirrorless cameras in studio, doc, and commercial formats.
Framing for the cut,
not just the monitor.
I shoot with an editor’s brain. That means coverage that cuts together, movement that matches the creative, and a rhythm the client can feel.
I’ve worked with cinema and mirrorless cameras in studio, doc, and commercial formats.
What are your rates?
Rates vary by role and project. I typically work on day rates or flat project rates. Use the form below to tell me a little about your shoot, timeline, or team needs. And if your situation is unique, let’s figure something out together.
What gear do you have access to?
For camera and field work: Sony FX6, Sony lenses, Easyrig, V-mount batteries, and Atomos monitor. For DIT: 16" MacBook Pro, Blackjet and Sony card readers, SSDs and HDDs available for offload and backup. For editing or color: Adobe Premiere Pro and DaVinci Resolve, plus support for remote workflows.
What’s your availability?
Availability changes week to week, but I can often jump in quickly for freelance projects. Reach out through the form below and let me know what you’re working on. I’ll respond with details or openings.
Do you travel for work?
Yes. I'm based in Florida, but available for travel. I’ve supported shoots across the U.S. and can travel with gear or work as a local depending on the project.
Can you work remote?
Absolutely. I’ve managed post teams and handled full edits, color, and delivery remotely. I use secure file transfer and real-time collaboration tools to keep things smooth.
Do you own your gear or rent it?
I own a solid core kit and can source any specialty gear needed. I’m happy to help build out a tech approach that matches your budget and scale. Need an extra camera kit, but not the labor? I can rent out my kit as well.
Can you provide references?
Yes, happy to. Whether you’re looking for post leads, producers, or directors I’ve worked with, I can share relevant names based on your project type.
What are your rates?
Rates vary by role and project. I typically work on day rates or flat project rates. Use the form below to tell me a little about your shoot, timeline, or team needs. And if your situation is unique, let’s figure something out together.
What gear do you have access to?
For camera and field work: Sony FX6, Sony lenses, Easyrig, V-mount batteries, and Atomos monitor. For DIT: 16" MacBook Pro, Blackjet and Sony card readers, SSDs and HDDs available for offload and backup. For editing or color: Adobe Premiere Pro and DaVinci Resolve, plus support for remote workflows.
What’s your availability?
Availability changes week to week, but I can often jump in quickly for freelance projects. Reach out through the form below and let me know what you’re working on. I’ll respond with details or openings.
Do you travel for work?
Yes. I'm based in Florida, but available for travel. I’ve supported shoots across the U.S. and can travel with gear or work as a local depending on the project.
Can you work remote?
Absolutely. I’ve managed post teams and handled full edits, color, and delivery remotely. I use secure file transfer and real-time collaboration tools to keep things smooth.
Do you own your gear or rent it?
I own a solid core kit and can source any specialty gear needed. I’m happy to help build out a tech approach that matches your budget and scale. Need an extra camera kit, but not the labor? I can rent out my kit as well.
Can you provide references?
Yes, happy to. Whether you’re looking for post leads, producers, or directors I’ve worked with, I can share relevant names based on your project type.
Ready to work?
