DIT.
Keeping production safe, synced, and running smooth.
Media management, LUTs, camera-to-cloud, proxies, dailies, and on-set edits.
Familiar with RED, ARRI, Blackmagic, Sony, Canon, and more.
EDITOR.
Fast, focused, and ready for feedback.
I cut everything. 15-second spots, branded content, social media, documentaries and televsion. My strength is making the edit feel effortless.
Whether you have a tight script or a pile of footage, I fit right in.
COLORIST.
Let’s bring it to life.
From LUT matching to final pass polish, I grade with an eye for tone, rhythm, and story immersion.
I’ve done grades for national campaigns, branded content, television, and everything in between.
I don’t just fix. I elevate.
CAMERA OPERATOR.
Framing for the cut,
not just the monitor.
I shoot with an editor’s brain. That means coverage that cuts together, movement that matches the creative, and a rhythm the client can feel.
I’ve worked with cinema and mirrorless cameras in studio, doc, and commercial formats.